3 Idiots. The toast of the nation. First Hindi movie to gross more than 100 crore rupees in receipts. Let's come to the point. The movie was engrossing and entertaining – no two ways about it. However, it has provoked many to comment on the state of Indian education in general, and our IITs and IIMs in particular and the mad rush by parents to get their wards admitted in these premier institutes, regardless of the costs. The discussions at Suvro Sir’s blog have been further stimulating, and I would encourage readers to read the posts there before reading on here.
Now, I had been thinking about a suitable answer to Sir's post and the comments thereafter, but a logical coherent response has been very difficult to articulate. Having gone through the grind of IIT and then "wasting" it all by taking the CAT and getting into an IIM and landing an investment banking job thereafter, I must fall into the category most vilified in the movie and some of the commentators. However, from a purely emotional point of view, I would never want to distance myself from these so called "centres of excellence", because despite whatever misguided path I've taken in life up to now, the IIT and IIM have not been to blame. If anything, they have been huge positives. Of course, there are negatives as well, which I will point out. Overall, this will be a rather long, rambling and confused post. Please bear with me.
1. Why do some many people take the IITJEE exam despite not knowing what engineering really is? Because many of us just follow our parents' dreams, given the fact that we don't have any dreams ourselves. Because my parents come from a generation where they were not really assured of any financial backing, they wanted us to secure our finances first before thinking about dreams. The glamour of an IIT admission is not always the cause. More children in developed nations can easily think of alternative careers/ dreams/ passions because they can afford to, from childhood. They were brought up in a secure environment, whereas we were not. While that is not enough to kill dreams, the sad part is, at the point of my high school examinations, I had no idea where my dreams lay. Or my passions. All I knew was I found mathematics easy, I found languages interesting, I had an excellent short-term memory, I was speedy, accurate and efficient. I liked Chemistry as much as I did Geography. I had no idea where all this was pointing to. So I took the JEE, because I knew I could crack it. It gave me four more years to figure out what I wanted to do in life. It would give me a platform to pursue my dreams.
2. At this point of time, let me take the opportunity to share my loathing for all those who took one-two years off after their Class XII exams to attend some coaching centre in Delhi or Kota to make the cut. The advent and spread of these coaching institutes is the turning point where the quality of education in IITs took a nosedive. Before them, I believe only those children who consistently scored good marks in Mathematics and Science at school were “pressurized” to take the IITJEE. After Kota came, parents started to believe that two years and 3 lakhs investment could transform anyone into an IIT-ian. Of course, the quality of students does make a difference. I am not defending the Professors here, but why would the Professors take any interest in imparting quality education when the students themselves took no interest? For most students, clearing the entrance exam after two hard years of slogging is enough motivation to let their hair down and not care about academics any more. Thus, most would list their “Top 2 percentile rank in IITJEE” as an academic achievement in their CVs rather than a CGPA in excess of 8/10 in IIT.
3. I still believe the IITs and IIMs are centres of excellence as far as India is concerned. But, by no means are they the only centres of excellence. And it is up to the student to make full use of the facilities and infrastructure available at these institutes. The top IITs may or may not produce the best engineers of the country, but they do well enough on some other fronts. They instill a co-operative camaraderie among students as against the competitive framework that most parents strive to bring up their kids in. They do indeed promote the virtues of hard work, not only in academics, but in creative arts, drama, sports, technical skills, event organization, and even marketing and PR. All these are facets of active IIT life, which I have seen missing in most other institutes, where life is more about malls, motorbikes and women. And if smoking pot is a crime, I’m sure people in my father’s generation did it too, and they turned out to be some of the most dedicated engineers in their lifetime. Also, the fact that you meet people from all corners of the country, brilliant minds – some of whom are wholeheartedly involved in their thermodynamics and artificial intelligence and fuzzy logic, some who can speak in 9 languages and some who can convince Tata to part with 10 lakhs in sponsorship money by their glib talk – does help you broaden your horizons. That is, if you want to. If you don’t want to, you can stick to your South Point Calcutta classmates. But that isn’t the fault of the “centre of excellence”.
4. Are people wasting the Government subsidies by choosing to do an MBA and not using their engineering skills? Firstly, what exactly are the skills of an engineer – if you are saying screws and nuts and bolts, I beg to differ. I think it is the ability to approach a problem, analyse it logically and come to a scientific conclusion is what defines the critical skill for an engineer. And that should not necessarily be restricted to building bridges and assembling cars. In this context, let me also add, that speaking for the students of the Mechanical Engineering department, the first choice of jobs has always been among Tata Motors, Larsen & Toubro, ITC, Maruti Suzuki, Ashok Leyland et al. It is only because I did not qualify for any of these that I was forced to sit for IT companies like Accenture. And it was because I had no intention to pursue a job in the software industry and “waste” my talents that I opted to do an MBA, immediately after completing my graduation. Otherwise, I might have seriously considered honing my skills at any of the above companies. So why were there only 10-15 core sector jobs for the 50 odd students of the department, whereas there was no dearth of IT/ITES jobs for the whole institute? I am very sure I would have done more harm to my engineering degree by doing a coding job than what I am doing right now.
5. So why did I not get a job in an engineering services firm in spite of the fact that I was actually interested and was one of the few students who were able to secure the highest grade in the Comprehensive Viva Voce (the 30 minutes at the end of 4 years in the institute when you are grilled by 5 senior Professors on your cumulative engineering fundamentals)? It was because I was a complete zero as far as my soft skills were concerned. I was not able to communicate to the interviewer that I was passionate enough to do the job. That is where the Indian “centres of excellence” come a cropper, when compared to their international counterparts. The emphasis on grades, right from school, makes you feel that you are defined by your examination marks. Which, in the real world, is far from the truth. Thus, parents do not bother about the marks in “Elocution” in school as long as their kid scores 90+ in Mathematics. The first teacher who showed me the importance of this subject was of course, Suvro Sir, and thus, it was the first time in Class 9 that I got poor marks in Elocution. Unbelievable, but all the other teachers had just given me good marks in the subject because I was a “good student”, despite my all too obvious lack of speaking skills.
6. I have no complains with the underlying message of the movie “3 Idiots”, which is to follow your dreams or passions, if you are lucky enough to identify them early enough. However, I agree with Sir that hard work should not be undermined. And that the “centres of excellence” should not be the Mecca of all school goers and their parents’ ambitions. So, if our kids don’t really like dividing sin(theta) by cos(theta) or think integration is what the politicians of today sorely lack, lets not force them to the slaughter houses of Kota. But, lets not discourage them from a stint in the IITs and IIMs as well, if that’s what they want when they are out of ideas. They are not bad places. Maybe the greatest inventors and entrepreneurs have not emerged from the IITs in hordes yet. But, 4 years in IIT is a humbling experience. It produces good people, with hearts mostly in the right places. In terms of tangible achievements, there’s not much to write home about but I don’t believe that these institutions have been a complete failure, either. Contribution to nation building – ambiguous. Contribution to character building of individuals – definite.
P.S. Thoughts on the matter, anyone?
Showing posts with label arts. Show all posts
Showing posts with label arts. Show all posts
Tuesday, February 02, 2010
Tuesday, February 24, 2009
Dev D - Bring it on!!!
Warning: I have never written a movie review before, so this may not be too inspiring a masterpiece. Also, this is not expected to be a literary marvel, nor an idealistic viewpoint and definitely not humorous. Basically, I am not that gifted.
So why did I choose Dev D for this rite of initiation? Well – while critical reviews of this film tended to border on either extreme – the Indian movie-going public seems to have agreed with me finally, giving Bollywood its second hit of the year and reinstating some hope in me as to the maturity of the audience. The hope, which I had lost, when movies like Parzania, Amir, A Wednesday, Mumbai Meri Jaan floated into oblivion without any public recognition. Of course, the movie I’m going to talk about is not in the same league as the above movies but I had not expected even this dose of realism to work. Especially when it was contending with history. Considering that Sarat Chandra Chatterjee’s Devdas remains possibly one of the greatest tales of unrequited love ever told in Indian cinema and remade well over 10 times in various languages, it takes some courage to pull it off again. And I salute that bravado.
After director Anurag Kashyap’s last attempt “No Smoking” – a dark, ponderous and seemingly unfathomable disaster – my expectation meter was set rather low when I walked into the theatre. But all for the better. What Kashyap excels in here is the characterization of the lead (and even not-so-lead) players. All of them evolve from the unidimensionality etched in our memories – here there is nothing in black or white. Kashyap shows us varying shades of grey and darkness - even in the humble Sikh cab driver. Lest the audience feels good about themselves, Chanda (Chandramukhi, played by newcomer Kalki Koechlin) reminds us that when people labeled her a whore (reference to the DPS RKPuram MMS scandal), they forgot that those who watched and shared the MMS were probably more perverted than those who made them. Indeed, towards the end – when Kashyap’s filmmaking threatens to paint a world so real and so black that no light seems to filter in – I tell my friend sitting beside me that Kashyap would’ve wasted a brilliant effort if he ended it there. But he didn’t. Thankfully.
I assume everyone is familiar with the basic story so I won’t waste any time on that. I’ll just dwell on what struck me as interesting and brave filmmaking. Apart from the clever camerawork and the three guitar playing–tap dancing-drink-induced dream sequence over-lookers, that is.
What impressed me most was how the contradictions in the main characters are superbly brought out. So while rich spoilt kid Dev amuses himself by asking for compromising photos of his childhood sweetheart Paro (played by Mahi Gill – isn’t there an award for best casting director or something?) over the Internet, he has difficulty in coming to terms with her obvious sexuality when she comes onto him and accuses her of infidelity. Paro, unlike her predecessors, doesn’t grovel or plead with Dev, either. Though she may know that Dev has some inherent goodness, she obviously knows that he doesn’t really care for her either. No lighting of the eternal lamps here. And while the married Paro will still wash Dev’s clothes and give him a bath and even let him touch her, she desists from taking off her clothes or kissing him. And she doesn’t look back when Dev, in a fit of misguided machismo, pushes her out. Well done, Paro. And take that, all ye fluffy birds. And go kill yourself, Chanda’s altruistic father, for not supporting your little girl when she most needed you.
Diehard romantics and followers of Devdas’ eternal love theory should definitely give this movie a miss – as Kashyap threatens to shatter that myth. For even Dev here realizes in a final frenzy of introspection that all those fluffy notions of “love” were nothing more than probably a physical attraction. Just the concept of realizing your one true eternal love shouldn’t be that important at all, in the greater scheme of things. If it were so important, then he probably shouldn’t have let Paro get married. Or pine afterwards. Or justify that utterly irresponsible drink- smoke pot- drink- sleep on foreign whore’s bed- drink- screw up- call Paro- drink- call home for money- drink some more routine. This is where previous renditions of the story have fallen short. For they have tended to glorify the “losing your love, drinking to forget” part by casting superstars like Shahrukh in the part of Devdas, and chosen to overlook many of the evident shortcomings in the male protagonist.
Some of the dialogues and situations are worth a mention as well– a far cry from Shahrukh’s hammy “babuji ne kaha paro ko chod do, paro ne kaha sharaab chod do, maa ne kaha haveli chod do…” types. So we have Dev’s father telling him that his stay in London has changed his Punjabi taste – from whisky to vodka, chicken to fish and well-nourished women to stick-thin apparitions. Or Chanda telling Dev that calling her a randy is more appropriate than a “commercial sex worker”. Or Chunni wickedly asking Dev relay chalta hai na before embarking on a vodka-whisky-white rum-black rum- no gin spree. All priceless moments.
Overall, I guess the heady dose of realism that Anurag Kashyap injects into this movie is why it ticks for me. And the non-tacky dialogue. And the clever use of songs and innovative background scores. And Abhay Deol. The actor seems to turn whatever he touches into gold. I had long decided to watch any and every movie that features him and the rewards have been good – from Socha Na Tha to Ahista Ahista, Honeymoon Travels, Manorama 6 Feet Under, Ek Chalis ki Last Local, and Oye Lucky Lucky Oye – not one movie has disappointed me. Maybe it’s his choice and maybe it’s his luck. But the charm seems to be working for now. Go see Dev D, if you have not.
So why did I choose Dev D for this rite of initiation? Well – while critical reviews of this film tended to border on either extreme – the Indian movie-going public seems to have agreed with me finally, giving Bollywood its second hit of the year and reinstating some hope in me as to the maturity of the audience. The hope, which I had lost, when movies like Parzania, Amir, A Wednesday, Mumbai Meri Jaan floated into oblivion without any public recognition. Of course, the movie I’m going to talk about is not in the same league as the above movies but I had not expected even this dose of realism to work. Especially when it was contending with history. Considering that Sarat Chandra Chatterjee’s Devdas remains possibly one of the greatest tales of unrequited love ever told in Indian cinema and remade well over 10 times in various languages, it takes some courage to pull it off again. And I salute that bravado.
After director Anurag Kashyap’s last attempt “No Smoking” – a dark, ponderous and seemingly unfathomable disaster – my expectation meter was set rather low when I walked into the theatre. But all for the better. What Kashyap excels in here is the characterization of the lead (and even not-so-lead) players. All of them evolve from the unidimensionality etched in our memories – here there is nothing in black or white. Kashyap shows us varying shades of grey and darkness - even in the humble Sikh cab driver. Lest the audience feels good about themselves, Chanda (Chandramukhi, played by newcomer Kalki Koechlin) reminds us that when people labeled her a whore (reference to the DPS RKPuram MMS scandal), they forgot that those who watched and shared the MMS were probably more perverted than those who made them. Indeed, towards the end – when Kashyap’s filmmaking threatens to paint a world so real and so black that no light seems to filter in – I tell my friend sitting beside me that Kashyap would’ve wasted a brilliant effort if he ended it there. But he didn’t. Thankfully.
I assume everyone is familiar with the basic story so I won’t waste any time on that. I’ll just dwell on what struck me as interesting and brave filmmaking. Apart from the clever camerawork and the three guitar playing–tap dancing-drink-induced dream sequence over-lookers, that is.
What impressed me most was how the contradictions in the main characters are superbly brought out. So while rich spoilt kid Dev amuses himself by asking for compromising photos of his childhood sweetheart Paro (played by Mahi Gill – isn’t there an award for best casting director or something?) over the Internet, he has difficulty in coming to terms with her obvious sexuality when she comes onto him and accuses her of infidelity. Paro, unlike her predecessors, doesn’t grovel or plead with Dev, either. Though she may know that Dev has some inherent goodness, she obviously knows that he doesn’t really care for her either. No lighting of the eternal lamps here. And while the married Paro will still wash Dev’s clothes and give him a bath and even let him touch her, she desists from taking off her clothes or kissing him. And she doesn’t look back when Dev, in a fit of misguided machismo, pushes her out. Well done, Paro. And take that, all ye fluffy birds. And go kill yourself, Chanda’s altruistic father, for not supporting your little girl when she most needed you.
Diehard romantics and followers of Devdas’ eternal love theory should definitely give this movie a miss – as Kashyap threatens to shatter that myth. For even Dev here realizes in a final frenzy of introspection that all those fluffy notions of “love” were nothing more than probably a physical attraction. Just the concept of realizing your one true eternal love shouldn’t be that important at all, in the greater scheme of things. If it were so important, then he probably shouldn’t have let Paro get married. Or pine afterwards. Or justify that utterly irresponsible drink- smoke pot- drink- sleep on foreign whore’s bed- drink- screw up- call Paro- drink- call home for money- drink some more routine. This is where previous renditions of the story have fallen short. For they have tended to glorify the “losing your love, drinking to forget” part by casting superstars like Shahrukh in the part of Devdas, and chosen to overlook many of the evident shortcomings in the male protagonist.
Some of the dialogues and situations are worth a mention as well– a far cry from Shahrukh’s hammy “babuji ne kaha paro ko chod do, paro ne kaha sharaab chod do, maa ne kaha haveli chod do…” types. So we have Dev’s father telling him that his stay in London has changed his Punjabi taste – from whisky to vodka, chicken to fish and well-nourished women to stick-thin apparitions. Or Chanda telling Dev that calling her a randy is more appropriate than a “commercial sex worker”. Or Chunni wickedly asking Dev relay chalta hai na before embarking on a vodka-whisky-white rum-black rum- no gin spree. All priceless moments.
Overall, I guess the heady dose of realism that Anurag Kashyap injects into this movie is why it ticks for me. And the non-tacky dialogue. And the clever use of songs and innovative background scores. And Abhay Deol. The actor seems to turn whatever he touches into gold. I had long decided to watch any and every movie that features him and the rewards have been good – from Socha Na Tha to Ahista Ahista, Honeymoon Travels, Manorama 6 Feet Under, Ek Chalis ki Last Local, and Oye Lucky Lucky Oye – not one movie has disappointed me. Maybe it’s his choice and maybe it’s his luck. But the charm seems to be working for now. Go see Dev D, if you have not.
Friday, March 14, 2008
Kabuliwallah to Charlie Wilson's War
Lately have had a lot of Afghanistan thrust into all the creative media entertainment that I have been indulging myself in. All = 4 instances, at last count. Well, I accept that to say that the latest Subhash Ghai offering “Black & White” had something to do with Afghanistan would not be correct in spirit, but would be very much correct in letter. So there.
If you are wondering where all this is going, let me say at the onset this is going nowhere. Just had to write about something before all my creative juices dried up in utmost entirety. So why Afghanistan? Well, ask Khaled Hosseini – for he’s the one to blame for my falling in love with the rugged country and its rugged people. The canvas that he painted through his masterpiece “The Kite Runner” – which incidentally I recently saw on celluloid – made, to put it mildly, a deep impression on my impressionable psyche. The snow capped Hindu Kush in the distance and the rugged brown mountainscape in the forefront, the smell of the kebabs roasting in tandoors and the mysterious beauty in the twinkling eyes of the women – I can conjure all that up in the batting of an eyelid, thanks to Mr. Hosseini. In fact, the film doesn’t do full justice to the geography at all, being shot somewhere in Inner Mongolia or thereabouts.
The British, the Russians and the Americans have all played their part in ravishing this beauty for their own petty gains over the last 300 years, and particularly so since the 70’s, when the country became a pawn in the Cold War endgame. The hot-blooded tribes that inhabit the unforgiving landscape have played their part too, falling prey to bloody infighting incited by scheming Cold War powers, that has wiped away entire villages, families, clans and generations. Power hungry warlords have ruled the mountains and fought for control of the Kabuls, Herats and Kandahars – even as foreign invaders were vanquished with the help of other foreign invaders. Why did the US military intelligence wait 10 bloody years before they realized that the only way to win the war was to supply the Mujahideen with anti-aircraft missiles, something that was known on the ground for at least 2-3 years before that? It seems they wanted to exhaust the Soviet Union’s resources in killing the Afghans, so that they could watch the disintegration of the Soviet empire later in gleeful mirth. And then they make films with Tom Hanks to glorify the fact that some Congressman wallowing in drugs and women found it worth his while to convince the CIA to send in those very anti-aircraft guns. And end the movie saying that US didn’t play the endgame very well. Ah, well…didn’t we know that?
As soon as the Soviet army left the land of the Afghans (originally Pashtuns, but also Tajiks, Hazaras, Uzbeks and others), the US conveniently forgot about them until they found a scapegoat in a bearded guy named Osama Bin Laden who reportedly owned responsibility (unproven?) for driving two passenger jets through the World Trade Centre in New York. Till then, the fact that the Taliban existed hadn’t bothered them – the fact that the Taliban exercised capital punishment in the form of stoning innocent men and women to death for adultery during half-times of football matches in Kabul’s national stadium and barred women from education and jobs hadn’t stirred their curiosity (as the global guardians of morality and human rights and such similar crap) – but the fact that they had had the gall to provide shelter to some small time operatives known as Al Qaeda (Arab Afghans) propelled them into a full blown war. Did you hear you saying its all a gimmick to gain strategic military position in Central Asia? You know the global political landscape well then, I must admit! A country, which had not yet picked up all the landmines that the Russians had planted in their land, (some of which were deliberately shaped like candies so that children would pick them up, lose limbs and their parents wouldn’t be able to take part in the war effort) has ever since been embroiled in another war. Some 2-3 million of them still live as refugees, mainly in the North West Frontier Province in Pakistan and in Iran.
The most hilarious part in all this is that the US might have actually sponsored the holy war of terror against itself. Along with Pakistan’s ISI, the US invested heavily in the training and arming the Mujahideen who were fighting the Russians, and some of these same facilities were then used to nurture the young Talebs – madrasahs and militant training camps which came up all along the Pakistan-Afghanistan border has ever since, provided a steady stream of Talebs and suicide bombers to the world at large. The ISI and the CIA (and possibly all the world’s secret services, since it is rumoured all of them work hand-in-hand anyways) have washed their dirty hands off the issue but the fact remains that they are now fighting an enemy that they helped create themselves. Well they are not actually fighting an enemy – that’s just a ruse for getting closer and closer to dominating the oil reserves in Central Asia.
Well, some food for thought – definitely, at least, its fodder for authors and film directors who in recent and not-so-recent memory have churned out novels like The Kite Runner, A Thousand Splendid Suns (again by Hosseini), Shantaram (by the Australian convict Gregory David Roberts who fought part of the Afghan war against the Russians on behalf of a Bombay mafia don) and movies like Kabul Express, Kite Runner (again) and Charlie Wilson’s War – that have kept us captivated. Thanks at least for bringing this beautiful country into the limelight – for those who have been to the upper echelons of the Himalayas where the snow capped mountains co-exist with harsh brown terrain like those in Leh, Ladakh in Kashmir and also north of Lachen in Sikkim, I’m sure they will appreciate the feeling of humbleness in their souls that the awe-inspiring, unforgiving, beauty awakens in us – such environs can only produce the most big-hearted of men for only they can match up to what the unrelenting vastness of nature demands. Will the Kabuliwallah ever return???
Thursday, July 19, 2007
The Pink Floyd Experience - adapted from the experience and expressions of Sourojit Bhowmick...
The dream of watching the God live is one that most of us do cherish...and I am yet to realise my dream...however, here's a sneak preview of what can be...the words are not mine...rather they belong to my dear friend Sourojit Bhowmick, who is currently pursuing his PhD in the US of A...
"As I start writing this, I just pray that I do not forget, those 3 hrs, in the years to come.
Somehow I would like to hold those scenes in my mind, for the rest of my life. I will write what exactly I saw , felt and experienced. There may be many spelling mistakes and errors .. as I am writing in a flow…almost closing my eyes and remembering every moment of that DREAM…
"As I start writing this, I just pray that I do not forget, those 3 hrs, in the years to come.
Somehow I would like to hold those scenes in my mind, for the rest of my life. I will write what exactly I saw , felt and experienced. There may be many spelling mistakes and errors .. as I am writing in a flow…almost closing my eyes and remembering every moment of that DREAM…
Let’s begin …. The mega event was at the New England Dodge Music Center (a place where legends like Jim Morrison, Coldplay, Metallica, GnR to the Beatles have played.). So the show was from 8 pm, and we started at 6 (hoping to reach by 6:30). We got the first taste of Pink Floyd hysteria, when we reached the express highway, just 6 miles from the center. Now here I would say, in my 1 yr of stay in US... I have never seen traffic jam in the express ways… not even in the busy NY express way … but mannnnnn... when we were just 6 miles from the center... We could c the line of cars!!!! It was crazy!! People were shouting... Throwing beer bottles... doping … from the cars!! There were all sorts of squads around...SWATS, Dog squads etc etc …. But the best part of police here was … THEY NEVER INTERRUPTED THE FUN!!!!!They didn’t even stop ppl from doping n boozing! They were just watching for vandalism!!!!
Neways... when we reached the arena, the magnitude got me!!! it was like entering a packed Eden Gardens, for the first time !!!!! Around 40,000 people!!! From all age groups!! Hippies … druggrs, rockers, wheel chair bound people, old, young, men women of all sorts!!!!! It was just overwhelming!! So we went and secured our spot… about 40-50 mts from the stage ….. Just below the overhead ceiling. And behind us, was the wiiiiiide lawn sitting area... it was like a hill... And completely packed!!!!!
The show began with the trademark whiskey bottle and cigarette...on the screen... n then smoke came from the left on stage,as if someone was smokin … n thennnnnnnnnnn. .. a black figure .. in jacket & black pants .. emerged, with a guitar in hand.. accompanied by the euphoric thunder of 40,000 people … when they saw the living legend …ROGER WATERS was ON STAGE …in front of our eyes !!!!!!!!!!!!!!!!!!! .. I could c people crying... when the first sounds of his guitar hit us... Those first strings from “in the flesh”… as he sang “so ya ..thot ya ..might ..”.His voice reverberated all across the arena,and we were mad . After that … it was just pure magic ….. He gave us one song after the other … in that memorable voice!!! And the awsm vocals of Dave Kilministr, synth of Harry Waters (Rogers’ son)…. With the GREAT Jon Cairn!!!!!!!!!! And Andy Fairweather (The Pulse Concert Guys) …
The Wall part 1 had its usual head banging affect!!!!! There were ppl everywhere... Doping n drugging!! … It was going on…With psychedelic lighting... This led to Syd Berett’s face on screen... “Shine on” was coming...N then when we reached ... “Shine on you”... There was the harrowing picture of Syd Berrett on screen ... and slowly a laser face of Berett appeared on the crowd!!!!!!! …Suddenly he started those famous lines ... “Remember when you were young … you shine like the sun” …. That was it... we were just hysterical!!! Every single person was singing! It was dark ... n everybody was lighting some light. ..And holding it up... And swaying!! It was a scene worth watching!!!!! There was a laser that also swayed with the song.
The lighting and special affects was throughout unparalleled … during “set the controls of the heart of the sun” …. There was a fire on screen .. and then the smoke of the fire .. from the screen .. suddenly started coming out n spreading on the crowd !! such was the affect. It was pure psychedelia , and we were being hallucinated by music and machine !!!! While during “Time” and “Money” .. the whole video was on us !!! as if we were being grinded inside a clock …. I know , u wont believe .. unless u b a part of it .. but this is what each and everyone .. present there felt !!!!
After “shine on”, we could c a radio in the screen, some one was tuning … there was a silence in the crowd... We knew ... what was coming... “Wish you were here”!!!!! The moment those guitar chords sounded …. We just knelt down in respect …. While Roger Waters said “So ...so u think u can tell…”… the affect was heavenly!!!! Millions of small bubbles (like the soap bubble)… came from nowhere...And covered us!!!!! …. I must say here... something was soo emotional... it brought tears to our eyes …!!! Every one was just singing and swaying … everyone had sparkling eyes... tears dripping!!!! Wish You were Here, a song that had moved a generation .. was having its tremendous emotional affect !!! Following this there were other gems like, Fletcher memorial, perfect sense, animal (sheep)… and then was “leaving Beirut” … another masterpiece!!! He spoke again… “Thanks for coming… u have been a great audience”...He explained why he wrote this song ….and then sang it. Those of you who have watched the video of this song in youtube ..must know that its based on cartoons …. And there also it was cartoon, but the only speciality was .. sometime the cartoon figures came on the crowd .. from the screen .. thanks to the laser affects !!!!!!
After this song .. HE came near the crowd .. n said “Its been long .. will take a 15 mins break .. but will b back” Now the break was memorable... coz they left the huuuugeeee pig balloon from the stage... n crowd was passing it ... so that it can come out from below the ceiling area... To the open area ... n man... WE TOUCHED IT!!!!!!!!!!!!!!!!!!!!!!!!! It was just AN electric feeling… n then it went behind us… to the lawn area ... finally into the sky!!!!!
The next part of the show was …the main Dark side of the Moon... and I really don’t have words to explain it!!!!! There was everything on stage!! Fire, smoke, moon landing, astronaut, and a huuuge moon!!! (Which became bigger from a small size, in that break of 15 mins) .
Part 2 started with “speak to me”,,Breath , great gig in the sky , on the run … and then came “brain Damage” . So before “brain damage” he thanked the crowd again … n introduced the band members. And then he started “The Lunatic is on the Grass…” and as it started... we could c that there was a sudden cloud on top of us … n then lasers were crazily moving on us …suddenly in the stage there was that world famous prism!! It was moving slowly on us!! It came on top of us,n a light from one end …entering the laser prism…And vibgyor coming out from the other end !!!!!!!!!! The whole “dark side of the moon” Prism logo was there on us... Made by lasers!!!!! We were all speechless to c that creation !! n the lines …“And if the band youre in starts playing different tunes,Ill see you on the dark side of the moon”!!!!!!!!!!!!!! I dunno wat happnd … but I was just overwhelmed by the music .. tears in my eyes .. looking at the greatest music innovator of our times !!! everyone was staring at the laser …. As he sang this song with impeccable precision , as all the other songs !!!!!
The brain damage song signalled that the show was comin to an end …. Then after a few other tracks like eclipse , break in the wall II, and bring the boys back home , Us n Them …. the stage darkend … waters said thank you … n he was leaving !! we were all shouting .. “don’t go” … there was a mass sadness !!! the show was over and we couldn’t accept it !!! BUT SUDDENLY out of the dark .. a ghastly voice said “Is there any body out there?”.. GOD that was like too much of a hysteria !!!!!!! N next that everlasting music .. from “comfortably numb” .. with a whitewash of light !!!!!! … all hell broke loose .. every single living being , must have shouted at that time !!!! .. Roger “God” Waters was singing “hello heloo .. is there anybody in there?... just nod if u can hear me” … the words from the god himself !!!... comfortably numb sounded as if , I was listening to the original track from the CD !!!!!!! ….. again .. we were lighting matches , candles , lighters , ciggerettes , torch .. into the sky !! .. swaying …to the music !! It was crazy !!! Listening to one of the most famous songs of this century .. from its creator ..!!!!!
With “Comfortably Numb” the stage was dark again … n this time it was permanent. We could not believe that the show was over … infact no one could !!! we didn’t even feel that we were standing /shouting and swaying for 3 hours non-stop !! ..so after the song .. everyone was standing ….. speechless .. atleast fr 3-4 mins .. n slowly we realized it was over .. people started movin .. very very very slowly. No one wanted to leave the arena…. We cldnt believe that , we had seen the living legend .. we couldn’t believe that we were so lucky to watch the god himself !!!! Me anurag and Veda , stood there for almost 30 mins more … there were fireworks in the sky … n we were just quite … it seemed that we were just out of a dream …. N then slowly started moving with the crowd …..
I would like to specially add something here about the crowd .. there were ppl .. doping , drugging , boozing all around !! people were druggd out .. n u cld just c them swaying and dancing like a child. And the best part was , beers were being sold inside the arena itself !!! policemen were everywhere .. but what I like that .. 99 % of them didn’t had guns (which u c with every policeman here) .. !!!! they watchd ppl drugging n dopin .. but didn’t stop !!!! they just kept an eye …there were people of arnd 60-70 yrs age !!! am not exaggerating !!n there were wheelchair bound floydians too !!!!.... that’s why they say .. Pink Floyd is not a music group .. it’s a mass movement !!!
So that was my experience .. I may have messed up with the song sequences .. but mostly they are correct.. I cldnt explain every single lighting, and also didn’t talk about all the songs e.g Any color you like , Mother etc .. coz words can explain them .
But I just pray that these memories never die ….. AFTER ALL .. I FINALLY DID SEE .. THE DARK SIDE OF THE MOON .."
Sunday, December 11, 2005
Illusions!!!
I was just reading this book by Richard Bach called "Illusions". A pretty interesting book and may just give you a refreshing new way of looking at life. If nothing else, it will make you think!!!
It has this thing called The Messiah's Handbook- Reminders for the Advanced Soul. I'm picking out a few quotes from this handbook which made me think!!!
Learning is finding out what you already know.
Doing is demonstrating that you know it.
Teaching is reminding others that they know just as well as you.
You are all learners, doers, teachers.
Your only obligation in any lifetime is to be true to yourself.
The simplest questions are the most profound.
Where were you born? Where is your home? Where are you going? What are you doing?
Think about these once in a while and watch your answers change.
Live never to be ashamed if anything you do or say is published around the world - even if what is published is not true.
Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
There is no such thing as a problem without a gift for you in its hands.
You seek problems because you need their gifts.
Argue for your limitations, and sure enough, they're yours.
You are never given a wish without also being given the power to make it true.
You may have to work for it, however.
Your conscience is the measure of the honesty of your selfishness.
Listen to it carefully.
The mark of your ignorance is the depth of your belief in injustice and tragedy.
What the caterpillar calls the end of the world, the master calls a butterfly.
Every person, all the events in your life are there because you have drawn them there.
What you choose to do with them is up to you.
Here is a test to find whether your mission on earth is finished:
If you are alive, it isn't.
This more or less is all there is to it!
So I hope you have now been sufficiently motivated to achieve your mission in life.
For those who haven't, there's still hope, coz
Finally, everything in this book may be wrong!!!
It has this thing called The Messiah's Handbook- Reminders for the Advanced Soul. I'm picking out a few quotes from this handbook which made me think!!!
Learning is finding out what you already know.
Doing is demonstrating that you know it.
Teaching is reminding others that they know just as well as you.
You are all learners, doers, teachers.
Your only obligation in any lifetime is to be true to yourself.
The simplest questions are the most profound.
Where were you born? Where is your home? Where are you going? What are you doing?
Think about these once in a while and watch your answers change.
Live never to be ashamed if anything you do or say is published around the world - even if what is published is not true.
Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
There is no such thing as a problem without a gift for you in its hands.
You seek problems because you need their gifts.
Argue for your limitations, and sure enough, they're yours.
You are never given a wish without also being given the power to make it true.
You may have to work for it, however.
Your conscience is the measure of the honesty of your selfishness.
Listen to it carefully.
The mark of your ignorance is the depth of your belief in injustice and tragedy.
What the caterpillar calls the end of the world, the master calls a butterfly.
Every person, all the events in your life are there because you have drawn them there.
What you choose to do with them is up to you.
Here is a test to find whether your mission on earth is finished:
If you are alive, it isn't.
This more or less is all there is to it!
So I hope you have now been sufficiently motivated to achieve your mission in life.
For those who haven't, there's still hope, coz
Finally, everything in this book may be wrong!!!
Subscribe to:
Posts (Atom)
